David Armah Ashitei

David Armah Ashitei

David Armah Ashitei is a Ghanaian conceptual photographer whose process thrums with a sane frenzy — a relentless drive to manifest the visions of his mind’s eye, even at the risk of losing his gear. Borne of intrusive thoughts, his practice materializes ineffable narratives we feel but seldom articulate, summoning enclaves at once familiar and uncanny.

Location

Ghana

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Rooted in the fraught terrains of embodiment and gender performativity, Fine Soil & Caramel stages a body weaponized for signification rather than seduction. Through a register of dissidence and disobedience, Ashitei destabilizes the optics of desirability — where eroticism is unmoored from access, and sweetness flirts with fetishistic excess.

Pixie cut, underarm fuzz, and unfiltered skin — each still renders the body as a living topology of flesh, affect, and matter. In forging a self-fashioning that ruptures the consumerist feminine script, Ashitei dismantles both the hyperfeminine simulacrum and the reductive neutrality of gender conformity.

Rooted in the fraught terrains of embodiment and gender performativity, Fine Soil & Caramel stages a body weaponized for signification rather than seduction. Through a register of dissidence and disobedience, Ashitei destabilizes the optics of desirability — where eroticism is unmoored from access, and sweetness flirts with fetishistic excess.

Pixie cut, underarm fuzz, and unfiltered skin — each still renders the body as a living topology of flesh, affect, and matter. In forging a self-fashioning that ruptures the consumerist feminine script, Ashitei dismantles both the hyperfeminine simulacrum and the reductive neutrality of gender conformity.

Rather than advancing a fixed ideological agenda, Ashitei’s work moves through instinct and ambiguity. Fine Soil & Caramel demands a slow gaze — one that embraces contradiction and allows tension, softness, and pleasure to coexist without neat resolution. Feral yet curated, the series is “caramel,” but never fully sweet. It performs pliancy as stratagem, beauty as insurgency, and femininity as both guise and battleground. Here, the body asserts itself as a presence to contend with: vulnerable, politicized, and defiantly illegible.

Rather than advancing a fixed ideological agenda, Ashitei’s work moves through instinct and ambiguity. Fine Soil & Caramel demands a slow gaze — one that embraces contradiction and allows tension, softness, and pleasure to coexist without neat resolution. Feral yet curated, the series is “caramel,” but never fully sweet. It performs pliancy as stratagem, beauty as insurgency, and femininity as both guise and battleground. Here, the body asserts itself as a presence to contend with: vulnerable, politicized, and defiantly illegible.

 © David Armah Ashitei. Fine Soil and Caramel series.

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88 St. Brosco is a full-fledged, archival-versed, and contemporary-slanted hub curating the poetics of niche artist lineages across disciplines.

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About

88 St. Brosco is a full-fledged, archival-versed, and contemporary-slanted hub curating the poetics of niche artist lineages across disciplines.

Since its debut, 88 St. Brosco has nurtured a coterie of neophytes and devotees alike by collecting and bolstering the practice of artistic forces that negotiate both the brisk and the brash as modes of expression.



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© 88 St. Brosco